| name
| year
| instrumentation
| information
| durations
|
| (new work) | 2023 | chorus | |
|
| (new work) | 2023 | cl, gt, pf | |
|
| The Tradition of Kshana IIe - De Divisionibus Temporum - | 2023 | cl solo, ensemble | commissioned by Ensemble NOMADE |
|
| Music for violin, flute, saxophone, piano, Isobe-rail and Hoshiya-keyboard | 2022 | vn, fl, sax, pf, Hoshiya Borard, Isobe Rail | project by Hideaki Isobe |
|
| Untitled Piece | 2022 | cello | 6 lines notation |
|
| Trio | 2022 | fl, cl, sax(sop&alt) | |
|
| Glassland | 2022 | bass cl, bar sax | (duo version) |
|
| Sapporo iii | 2022 | sax, pf | |
|
| Serenata | 2022 | solo theorbo, cl, sax, vc, accordion | |
|
| Encounter (邂逅の論理) | 2022 | fl, vn, va, vc | |
|
| Creation of fiction -In memory of Hyojung Shim- | 2022 | piano | commissioned by Satoko Inoue |
|
| Music for Ensemble | 2021 | fl, sax, pf, Hoshiya Borard, Isobe Rail | project by Hideaki Isobe |
|
| The Tradition of Kshana Ib | 2021 | clarinet | |
|
| Platycodon | 2021 | prepared piano | commissioned by Satoko Inoue |
|
| Reunion | 2021 | flute | |
|
| Pulau Flores | 2021 | harp | |
|
| Symmetry, Asymmetry, Transformation of nature | 2020 | flute, harp | commissioned by Eri Matsumura |
|
| Rainbow 虹の練習曲 | 2020 | piano | |
|
| Petite suite | 2020 | clarinet, saxphone, baroque cello, keybord | |
|
| Pattern, Flame, Anti-synchronization | 2020 | cl(es/b/bass), sax(sop/alt/bar) vc(baroque/5stringed/harpsicord)
| (overdubbing recorded work) |
|
| Hazakai (端境) | 2019 | thought fragments for flute, violin, cello, piano | premiered in Thin Edge New Music Collevtive festival, Tronto |
|
| Petite suite | 2019 | clarinet, harpsicord | |
|
| Duet for saxophone and vibraphone | 2019 | alto saxophone, vibraphone | |
|
| Trio | 2019 | clarinet, saxphone, piano | |
|
| Fuyu no motekoshi 冬のもてこし (三好達治 Miyoshi Tatsuji) | 2019 | chorus | commissioned by Vox humana |
|
| Glassland (草原) | 2018/2021 | tuba, electronics | |
|
| Sinfonia on the 72 fragments | 2018 | flute, cello, piano | |
|
| The Art of Constellation | 2018 | alto sax, ten sax | commissioned by Yuko Tomioka |
|
| for Aino | 2018 | violin, piano | commissioned by Hikaru Hayashi |
|
| Nachtmusik | 2018 | fl, cl, pf, vn, va, vc, cb | commissioned by Ensemble NOMADE |
|
| Withered Lotuses II | 2017 | 4 clarinets | |
|
| The Tradition of Kshana I | 2017 | clarinet | |
|
| Le carnaval des animaux au futur | 2017 | fl, cl, perc, 2pf, 2vn va, vc, cb | commissioned by Fukui Prefecture |
|
| Ancestral Song III | 2017 | clarinet | |
|
| Chronos and Kairos | 2017 | barton saxophone | commissioned by Daisuke Sakaguchi |
|
| The Tradition of Kshiana II for one flute player | 2017 | flute (+perc., 5 effctors) | collaborated with Jun'ichiro Taku and Hideaki Isobe | 11''
|
| Carnatic Flower | 2016 | flute, clarinet, viola | |
|
| History of Genetics | 2016 | flute, clarinet | |
|
| Withered Lotuses II | 2016 | 6 clarinets | |
|
| Shadow of Shepherd | 2016 | piano | Comissioned by Kumi Uchimoto's project "24 preludes from Japan" |
|
| Shadow of Shepherd | 2016 | violin, clarinet, piano | |
|
| Four Seasons | 2016 | piano | |
|
| Ancesters Song II | 2015 | violin, piano | | 11’
|
| Withered Lotuses | 2014 | 4 voices | based on a Haiku by Sanki Saito / premiered by Hilliard Ensemble | 8'
|
| Music for 4 stringed instruments | 2014 | 2 violins, viola, cello | Comissioned by Quatuor Bozzini Japan project | 12’
|
| Music for flute, cello, portative organ and electric keyboard | 2014/2019 | flute, cello, portative organ, electric keyboard | Microtonal Organ and Max/Msp keyboard are required | 60'
|
| Nemuri-to-Kakusei | 2013 | 2 harps (+2 electric fans) | premiered by Duo farfalle | 18'
|
| Music of the Tower | 2013 | trumpet and guitar | comissioned by Kiyonori Sokabe and Gaku Yamada | 11’
|
| Ancesters Song for trombone | 2013 | trombone | collaborated with Barrie Webb | 8’
|
| Memory and oblivion 2 for flute and piano | 2012 | flute, piano | comissioned by Takefu internatinal music festival | 10’
|
| A language for flute | 2012 | flute and string quartet | premiered by Ensemble Contemporary Alpha | 10’
|
| For Friendship | 2011 | clarinet, violin | | 7’
|
| Memory and oblivion for marimba | 2011 | marimba | comossioned by Mayumi Orai | 8’
|
| Composition for mezzo soprano and soprano saxophone | 2011 | mezzo soprano, soprano saxophone | premiered in Royaumont New Music Festival, France | 8’
|
| Harmonic Design 2 | 2011 | flute, viola, accordion, saxophone, percussion | commissioned by Ensemble Gonin Bayashi | 10’
|
| Study for cello | 2011 | cello | arranged version of piano study by Tomoki Tai | 14’
|
| Sapporo II for clarinet and piano | 2011 | clarinet, piano | | 10’
|
| Piano study VIII | 2011 | piano | commisioned by Satoko Inoue | 8’
|
| 3 images for clarinet and Wind instruments | 2011 | solo clarinet, winds, piano | | 24’
|
| Sapporo I for violin solo | 2011 | violin | commisioned by Yasutaka Hemmi | 6’
|
| Pitch, Interval, Sounds 2 | 2010 | 2 flutes, clarinet, violn, viola, cello, piano | commissioned by Takefu International Music Festival | 8’
|
| Pitch, Interval, Sounds -string quartet- | 2010-11 | 2 violins, viola, cello | commissioned by Tomoki Tai |
|
| Etude for 2 pianos | 2010 | 2 pianos | commissioned by Shoko Kawasaki | 7’30”
|
| 2 movements based on Ayako Miura's poem | 2010 | chorus, violin, cello | commissioned by Vox humana | 13’30”
|
| Music for 5 instruments | 2009 | violin, cello, 2 synthesizers, piano | | ca.40'
|
| clarinet and piano | 2009 | clarinet, piano | | 9’30”
|
| For harp and violin | 2009 | harp, violin | | 8’30”
|
| 3 dialogues for piano, flute and cello | 2009 | piano, flute, cello | commissioned by Shoko Kawasaki | 12’30”
|
| 37 Aspects on "D'un aultre amer" | 2008/09 | soprano, flute, violin, cello, piano, synthesizer | | 50'
|
| Ockeghem transcription | 2008 | clarinet, piano | | 3'
|
| 7 piano studies | 2008 | piano | Commissioned by Sapporo Otani University | 12'
|
| 6 players III | 2008 | 2 flutes, violin, cello, 2 pianos | 1 piano is tuned 1/4 tone lower | 6’30”
|
| The Cello in February | 2008 | cello, piano | cello is tuned quarter tone lower | 8’
|
| Path for flute and cello | 2008 | bass flute, cello | |
|
| Duet for quintet | 2007 | solo violin, flute, oboe, violin, piano | | 10’30”
|
| Duet for violin and cello | 2007 | violin, cello | | 10’30”
|
| quartet, quartation | 2006 | flute, clarinet, viola, cello | | 9'
|
| Saxophone Ensemble | 2006 | saxophone ensemble | |
|
| STRING TRIO -unknown place- | 2006 | violin, viola, cello | commissioned by Hiroko Ueba |
|
| Towering -night and day- | 2005 | orchestra | | 12'
|
| In solution... for flute solo | 2005 | flute | | 5’30”
|
| 6 players II | 2005 | flute, clarinet, violin, viola, midi-piano, piano | | 6'30"
|
| Instability principle | 2005 | flute, clarinet, cello, vibraphone | | 7'30"
|
| Incomplete Melody | 2004 | violin, cello, piano | exist 2010 revised version | 8'-11'
|
| Extension of Experience | 2003 | flute, saxophone, tuba, violin, cello, vibraphone | exist 2010 revised version / All instruments could be amplified in large space. | 12'30"
|
| 6 players I | 2002 | solo violin, flute, clarinet, violin, cello, midi-piano, piano | Midi-piano is tuned 1/4 tone lower | 16'
|
| Harmonic Design | 2002 | flute, clarinet, violin, cello, piano, percussion | All instruments could be amplified in large space. | 11'
|
| Dan | 2001 | flute, violin, double bass, piano, percusssion | | 11'
|
| Over the hill -March- | 2001 | winds | 2001 all-japan band association competition | 3'40''
|